Modernist eschatology: T.S. Eliot’s Four Quartets, H.D.’s Trilogy, and the Second World War apocalypse

dc.contributor.advisorTryphonopoulos, Demetres
dc.contributor.authorJoudry, Kyle
dc.date.accessioned2023-03-01T16:26:19Z
dc.date.available2023-03-01T16:26:19Z
dc.date.issued2016
dc.date.updated2023-03-01T15:02:13Z
dc.description.abstractThis thesis explores the degree to which T.S. Eliot’s (1888-1965) Four Quartets (1936-42) and H.D.’s (1886-1961) Trilogy (1944-46) engage in eschatological discourse. Both Eliot and H.D. treat the Second World War as apocalyptic, prompting each poet to rely on eschatological writing as a means of resisting wartime injustices. Paradoxically, a primary manner in which each poet deploys their eschatology is through a discussion of Incarnational theology. This study relies upon Christian theology as a methodology for understanding the various Christian allusions within each poem, providing a reading that seeks to reconfigure scholarly understandings of Eliot’s and H.D.’s wartime epics.
dc.description.copyright© Kyle Joudry, 2016
dc.formattext/xml
dc.format.extentv, 170 pages
dc.format.mediumelectronic
dc.identifier.urihttps://unbscholar.lib.unb.ca/handle/1882/13840
dc.language.isoen_CA
dc.publisherUniversity of New Brunswick
dc.rightshttp://purl.org/coar/access_right/c_abf2
dc.subject.disciplineEnglish
dc.titleModernist eschatology: T.S. Eliot’s Four Quartets, H.D.’s Trilogy, and the Second World War apocalypse
dc.typemaster thesis
thesis.degree.disciplineEnglish
thesis.degree.fullnameMaster of Arts
thesis.degree.grantorUniversity of New Brunswick
thesis.degree.levelmasters
thesis.degree.nameM.A.

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